|
Expectations
(from handout "Success at MMNT")
You
are expected to embrace the notion of a holistic, pre-professional
Theatre arts training program, one that is designed to enhance your
creativity, knowledge and experience as an ARTIST.
|
|
PARTNERSHIP
-
|
Each
year the faculty and staff make a commitment to teach courses and
produce shows that will advance and challenge every one of the participants
on a number of different levels. We view ourselves as am ensemble,
a community and as a team. Expect us to be on your team; we're here
to embrace the energetic notion of partnership and direct our energy
toward clarity of communication and unity. Expect that we are on the
same team and that we're here to assist in your development. |
|
MULTIDIMENSIONAL
BASELINE
for CASTING A TEAM -
|
This
concept (multidimensional) is among the more salient features of our
program. Productions are designed and layered in such a way that often
student-artists, faculty-artists, community and field guest artists
comprise the production team, cast and crew. Our multidimensional
baseline contrasts with those of other universities where productions
are generally staffed by faculty, staff and student artists. Our multidimensional
compositions allows for a richer textures production and allows students
the opportunity to meet and work with a variety of artists in the
field. Additionally, this feature allows us to compete for audiences
in Austin's vital Theatre community. Thus, we expect you to know and
value this multidimensional production team (director, scenic artists,
designers, guest actors, movement specialists, choreographers and
community artists). |
|
DIVERSIFIED SEASON -
|
A
large component of your training here is clearly experiential. We
don't just expect you to know theatrical genres from an academic perspective;
we want you to perform the theatrical genres. Additionally, as scholars
in the field we are poignantly aware of the different functions that
Theatre fulfills in culture Ð to entertain, to educate, to heal, to
celebrate. We expect you to know and appreciate the different ways
that a season of shows functions. We design seasons that allow its
participants and the audience a variety of enriching and ennobling
experiences. |
|
CURRICULUM
-
|
In
recent years the field of Theatre arts has grown exponentially. Various
fields have collided and fertilized each other to the extent that
the once-distant genres of music, Theatre and dance are interacting
with each other in ways unheard of only twenty years ago. To meet
industry demands and to narrow the historical and traditional gaps
found in and among the disciplines (film, media, Theatre, dance, movement,
art and music) faculty and staff have been analyzing and assessing
the extent to which our current curriculum provides students with
timely knowledge, experience and practice. To this end, we expect
you to be available to the experimentation and diversified offerings
in the curriculum, to understand how time and technology have impacted
our culture's "perception" of truth in general and the extent to which
that notion has impacted how we teach and learn about Theatre. |
| Scholarships |
|
The
Theatre Department offers Performance Based Scholarships to incoming
freshmen which can provide them from $1,000 - $6,000 per year for
four years. This can be combined with academic scholarships. The
Scholarship Audition Weekend each Spring is the only opportunity
to audition for these scholarships. This event, also known as Preview
Weekend, gives students and faculty a chance to get to know each
other and see if the program fits the students needs. During the
event numerous workshops are offered, auditions are held, and students
get the chance to observe classes and see a performance of the current
production.
|
Some
of the workshops include:
- Performing
Musical Theatre
- Acting
from the Outside In
- Professional
Careers in Costume & Makeup Design
- Visual
Metaphor - Training the Total Artist
- The
Archeology of acting
- Conceptualizing
Characterization
- Relaxation
and Performance
|
| Actor's
Equity Opportunity |
- How
it works
- Requirements
|
"St.
Edward's theatre department offers the only undergraduate program
in the U.S. where you can earn Actor's Equity points while you train.
I am truly grateful for all of the knowledge, experience and connections
that I gained during that important time in my life."
Tim
Russ, SEU alum. While a student at St. Edward's Tim understudied
with Leonard Nimoy, or "Dr. Spock," in MMNT's production
of Caligula. Among his many credits and honors, Tim along with fellow
SEU alumni Nate Thomas, produced the award-winning film, East of
Hope Street.
|
|
Membership
Candidate Program
- The
Membership Candidate Program allows nonprofessional actors to
gain membership into AEA by working as apprentices at specific
Equity theatres.
- To
become a candidate, you must first secure a nonprofessional position
at an Equity theatre that offers the Membership Candidate Program.
Then complete the registration form supplied by the theatre and
submit it with $100.00 registration fee payable by certified check
or money order to AEA.
- As
a candidate, you must complete fifty (50) weeks of work for automatic
eligibility. After completing forty (40) weeks you may take a
written exam about AEA. Once the exam is passed you are eligible
to join Equity. The fifty weeks do not have to be consecutive.
They may be accumulated over any length of time at any number
of Equity theatres authorizing the Membership Candidate Program.
- Upon
completion of the program, your eligibility to join AEA lasts
for five years. During that time you cannot be engaged at any
AEA theatre unless you are signed to an Equity contract.
- When
you wish to join AEA you must complete a membership application
and pay the standard initiation fee. As of April 1, 1990, it is
$800.00 plus the biannual dues of $70.00. The $100.00 registration
fee you pay as a Membership Candidate goes toward this initiation
fee.
- A
student is a nonprofessional matriculated for a degree in Theatre
Arts at an accredited college or university and and may work under
this status only in university-connected theatres or U/RTA theatres.
The nonprofessional status of a bona fide student shall last as
long as he/she is matriculate for a degree in Theatre Arts. If
the student elects to register as a Membership Candidate, all
provisions of the Membership Candidate category shall apply.
|
|